All in the Happy Days (1970s)

The baby boomer teens of the sixties drove the cynical, realistic culture of the seventies. Where the sixties glazed over social issues the seventies approached them head on, usually with satirical laughter. Racial diversity became a major development on television.

African-Americans, Hispanics, and whites from all social classes were being presented on television (Sanford and Son, Chico and the Man, All in the Family). At the same time, shows that gave an emotional call back to “better” times were also popular (Happy Days, Little House on the Prairie).

The families in the past had been focused more on supporting each other. Parents were respected and children were silent when it came to social factors. The seventies broke away from this equation. The television family began to show disdain and dysfunction between all members.

Arguably the most influential family show of the 1970s was All in the Family. This show focused around Archie Bunker and his relationship with his wife, daughter and son-in-law. Archie was a “bigoted loading dock worker disturbed by the changes occurring in the American society” (Gunzerath 34). All in the Family covered any social topic of the age, from racial discrimination, sexuality, and politics. Archie became an American icon. This show helped to usher in a new generation of comedic programs. It took its focus from domestic issues to social issues.



The Opening



Politically incorrect; Archie Bunker style!

Happy Days was the seventies take on the fifties. Just the title gives away the whole feel of the show. It was a retro call-back to what seemed like happier days. Focused around the teenage antics of Richie Cunningham, his best friend Potsie, and the Fonz, his family represented the middle class values of the 1950s. They would have a minor squabble but still have mom’s prepared dinner together as a family. Richie was the golden boy while the Fonz was the contrast with his rebellious edge. As the show progressed, it began to show the changes happening with the era. Richie was getting out of his hometown, while the Fonz, who was the ultimate cool guy, was the one getting trapped in Milwaukee.



Happy Days Opening



The Fonz gets some motherly advice.


Bibliography:


Gunzerath, David. "All in the Family." Encylopedia of Television. 1st ed. 1 vols. Chicago: Fitzroy Dearborn, 1997.

Lewis, Lisa Ann. "Happy Days." Encylopedia of Television. 1st ed. 1 vols. Chicago: Fitzroy Dearborn, 1997.

Marc, Robinson,. Brought to you in living color 75 years of great moments in television & radio from NBC. New York, NY: Wiley, 2002.

Spigel, Lynn. "Family on Television." Encylopedia of Television. 1st ed. 1 vols. Chicago: Fitzroy Dearborn, 1997.


Television and Family - The Portrayal Of Family On Television